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This category contains the following articles
- Let's Celebrate - One Year of the PalaisPopulaire
- Grey Areas: Julie Mehretu Retrospective Opens at the Los Angeles County Museum of Art
- Welcome to the Anthropocene! The 16th Istanbul Biennial
- Inspiration is a little town in China - Tobias Rehberger's Paper Works at Haus am Waldsee in Berlin
- VIEWS 2019 - Deutsche Bank Award Exhibition at Zachęta
- She is Me and I am Her - Yto Barrada’s Homage to Ethnologist Th�r�se Rivi�re
- Face Laboratory: Kader Attia’s “Museum of Emotion” at London’s Hayward Gallery
She is Me and I am Her
Yto Barrada’s Homage to Ethnologist Th�r�se Rivi�re
Th�r�se Rivi�re is often characterzed as “the Camille Claudel
of French ethnology.” And not without good reason, as there are indeed
parallels between the lives of these women. Both the sculptor and the
ethnologist had important achievements, both had psychological
problems, both were locked away in psychiatric wards, and both were
almost completely forgotten. For some time now, Yto Barrada
has dealt with the life and work of Th�r�se Rivi�re, who undertook a
two-year expedition in the rugged mountain landscape of Aur�s in
northeastern Algeria. Rivi�re studied the lives of the Berber
people there, focusing on their handicrafts and the situation of women
and children. She brought back 857 objects for the collection of the Mus�e de l'Homme in Paris, which she documented meticulously.
Along with Rivi�re’s drawings and notebooks, these objects inspired Barrada to create works such as the installation Objets indociles (Suppl�ment � la vie de Th�r�se Rivi�re), which was on view at the Centre Pompidou in 2016. This slightly surreal reconstruction of Rivi�re’s bedroom is akin to a historical exhibit from an ethnological museum. And her most recent exhibition, Moi je suis la langue et vous �tes les dents, in the project space of Lisbon’s Calouste Gulbenkian Museum also revolves around Rivi�re. Barrada’s drawings, films, and installations are based on the ethnologist’s enormous collection of material, which includes both scientific and autobiographical documents. The artist feels closely connected to Rivi�re – “elle – moi, moi – elle” (she – me, me – her) Barrada writes in a text, and includes references to her own family’s history in the exhibition, for example photographs and notebooks of her grandmother. The latter couldn’t write and therefore developed a script consisting of graphic symbols.
This very personal homage to Rivi�re brings together many themes that have interested Barrada since the beginning of her artistic career: the Maghreb region, which the artist, who grew up in Tangier, Morocco, and now lives in New York, has explored repeatedly – for example in Riffs her exhibition as Deutsche Bank’s “Artist of the Year” 2011 at the former Deutsche Guggenheim. Added to that is Barrada’s interest in handicrafts, which the former student of history and anthropology has integrated in many of her works. And of course the exhibition in Lisbon also engages with a subject that runs through her entire oeuvre like a red thread: her solidarity with the weak, the fragile, and people threatened with disappearance.
A.D.
Yto Barrada
Moi je suis la langue et vous �tes les dents
Calouste Gulbenkian Museum, Project Space, Lisbon
February 8 – May 6, 2019
Along with Rivi�re’s drawings and notebooks, these objects inspired Barrada to create works such as the installation Objets indociles (Suppl�ment � la vie de Th�r�se Rivi�re), which was on view at the Centre Pompidou in 2016. This slightly surreal reconstruction of Rivi�re’s bedroom is akin to a historical exhibit from an ethnological museum. And her most recent exhibition, Moi je suis la langue et vous �tes les dents, in the project space of Lisbon’s Calouste Gulbenkian Museum also revolves around Rivi�re. Barrada’s drawings, films, and installations are based on the ethnologist’s enormous collection of material, which includes both scientific and autobiographical documents. The artist feels closely connected to Rivi�re – “elle – moi, moi – elle” (she – me, me – her) Barrada writes in a text, and includes references to her own family’s history in the exhibition, for example photographs and notebooks of her grandmother. The latter couldn’t write and therefore developed a script consisting of graphic symbols.
This very personal homage to Rivi�re brings together many themes that have interested Barrada since the beginning of her artistic career: the Maghreb region, which the artist, who grew up in Tangier, Morocco, and now lives in New York, has explored repeatedly – for example in Riffs her exhibition as Deutsche Bank’s “Artist of the Year” 2011 at the former Deutsche Guggenheim. Added to that is Barrada’s interest in handicrafts, which the former student of history and anthropology has integrated in many of her works. And of course the exhibition in Lisbon also engages with a subject that runs through her entire oeuvre like a red thread: her solidarity with the weak, the fragile, and people threatened with disappearance.
A.D.
Yto Barrada
Moi je suis la langue et vous �tes les dents
Calouste Gulbenkian Museum, Project Space, Lisbon
February 8 – May 6, 2019