ArtMag by Deutsche Bank Deutsche Bank Group  |  Responsibility  |  Art Programme  |  Deutsche Bank KunstHalle  |  Deutsch  
Home Feature On View News Press Archive Service
This category contains the following articles
The "Views" Prize 2015 - The Nominees Have Been Selected
"Art after 1945" - Deutsche Bank supports film series at the Städel Museum
Wolves in Japan - Cai Guo-Qiang´s "Head On" at the Yokohama Museum of Art
Revolution in the Leisure Society - Los Carpinteros at the Museo de Arte Contemporáneo de Monterrey
Time Machines, Robot Ballets - Laura Owens and Cao Fei at the Vienna Secession
City as Installation - Olivo Barbieri at the MAXXI
Sunset - Mary Heilmann´s project for the new Whitney Museum
Basim Magdy is Deutsche Bank´s "Artist of the Year" 2016
Happy Birthday! Deutsche Bank Congratulates the Städel Museum on its 200th Anniversary
Notes Towards a Model Opera - William Kentridge´s Major Retrospective in Peking
Multidisciplinary Experimental Field - The New Fondazione Prada in Milan

Print

Send a friend
Notes Towards a Model Opera
William Kentridge’s Major Retrospective in Peking



He investigates the repressed chapters of modern history—colonialism, Apartheid in his native country of South Africa, and the massacre of the Hereros, which he addressed in his Black Box / Chambre Noire, a commissioned work for the Deutsche Guggenheim, today the Deutsche Bank KunstHalle. William Kentridge’s animated films and drawings are highly political, yet far removed from any sort of obvious agitation. He prefers ambiguity and the evocative, poetic power of images.

His first exhibition in China at the 2000 Shanghai Biennial, which was curated by Hou Hanru, not only won over the critics, but also inspired young artists like Sun Xun, who, similarly to the South African artist, works with expressive hand-drawn animation. Now, the Ullens Center for Contemporary Art (UCCA) in Peking presents Kentridge in Notes Towards a Model Opera, his largest show in Asia to date. Among the 25 works shown are earlier animated films based on Kentridge’s alter ego Soho Eckstein, as well as ambitious video installations such as The Refusal of Time, which caused a sensation at documenta 13 in 2012. The title of the exhibition is taken from an installation that premieres at the UCCA, for which Kentridge has adapted the pictorial language of classical Chinese propaganda art. Following its premiere in Peking, the show will also make guest appearances at the National Museum of Modern and Contemporary Art in Seoul and the Sifang Art Museum in Nanjing.

William Kentridge: Notes Towards a Model Opera
6/27 – 8/30/2015
Ullens Center for Contemporary Art, Peking




Newsletter
Stay up-to-date on contemporary art-with ArtMag. Register here for our newsletter.
 

Alternative content

Get Adobe Flash player

Feature
Lost in Language - Idris Khan´s contradictory worlds / XENOPOLIS: Deutsche Bank KunstHalle explores the language of cities / Let´s talk: Mary Heilmann & Jessica Loudis on the New York Art Scene / QUIET, PLEASE! Where do you find relaxation during the art summer? / The End of Subculture: A Trip to the Eighties / Let´s talk: Salomé & Martin Engler on Performance and Figurative Painting / Woman with Camera - Anne Collier´s Feminist Image Critique / Free Radicals - Elad Lassry´s Hermetic Photographic Works / "Artists can make images speak in different ways" - Jennifer Blessing on her exhibition "Photo-Poetics" / Gusmão + Paiva - From Magic to Reality / Anthology of Current Global Art - A Tour of the 56th Venice Biennale
On View
Strong Images - "The 80s. Figurative Painting in West Germany" at the Städel / Deceleration of Images - Photo-Poetics at the Deutsche Bank KunstHalle / Reality and Imagination - Frankfurt und Hamburg Celebrate Photography
Press
"Quiet, but highly political" - The press on Koki Tanaka in the Deutsche Bank KunstHalle
Imprint  |  Legal Resources  |  Accessibility
Copyright © 2015 Deutsche Bank AG, Frankfurt am Main


+  ++  +++