 |
|
|
|
|
|
|
|
Cool,
puzzling, seductive: Elad Lassry’s photographs seem too perfect to be
true. [more]
|
|
|
|
|
|
She
was the first Afro-American to show at the Venice Biennial and one of
the few to have ever taken part in documenta—and twice, at that: in
1987 and 2002. [more]
|
|
|
|
|
|
In
2005, Thomas Scheibitz exhibited in the German Pavilion at the Venice
Biennial, and he has been represented in important international
exhibitions for more than a decade. [more]
|
|
|
|
|
|
Liu
Zheng worked on "The Chinese" for eight years. He traveled extensively
through the People’s Republic and took photographs of people from every
region and social stratum. [more]
|
|
|
|
|
|
With
his Deutsche Bank Foundation-supported exhibition project, Michael
Stevenson transforms Frankfurt’s Portikus into a gigantic camera
obscura. [more]
|
|
|
|
|
|
What
is that supposed to be? Questions about contemporary art always crop up
— and the works of the Deutsche Bank Collection are no exception. [more]
|
|
|
|
|
|
Since
its premiere in 2003, Frieze London has grown to become what is
probably the most important fair for contemporary art worldwide. [more]
|
|
|
|
|
|
He
is widely regarded to be a shooting star on the Swiss art scene—and
rightly so, because Fabian Marti’s seductive photograms, ceramics, and
installations point the way to a world beyond reality. [more]
|
|
|
|
|
|
Barnett
Newmann’s legendary sculpture “Broken Obelisk” and the stripper pole in
Pamela Anderson’s living room—Shannon Bool’s excursions take you
through a male-dominated modernism straight into today’s mass culture. [more]
|
|
|
|
