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Dynamic Duo - Preview Frieze London and Frieze Masters
Fabian Marti: Trip to the Other Side
Gabriel Orozco: The Poetry of Everyday Objects and Unwanted Things
An Interview with the Brazilian Street Artists Os Gêmeos
Wallpaper and Transcendence: Shannon Bool - Excursions into Modernism
Loss of Artistic Control - Pierre Huyghe´s Biotope at documenta
An Encounter with Mathilde ter Heijne
If the Beach Gets Too Boring: ArtMag’s Summer Tips
Curator Joan Young on Gabriel Orozco’s Commission for the Deutsche Guggenheim
Deutsche Bank Collection goes App


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Dynamic Duo
Preview Frieze London and Frieze Masters

Since its premiere in 2003, Frieze London has grown to become what is probably the most important fair for contemporary art worldwide. As main sponsor, Deutsche Bank has been Frieze’s partner since 2004. To mark its 10th anniversary, the art fair is now on a mission to expand: following Frieze New York, it currently launches Frieze Masters, which shows art from antiquity to the 20th century from a contemporary perspective. Another reason to visit the British capital during “Frieze Week.”

In May, the first Frieze New York took place on Randall’s Island, located in the East River between Manhattan and Brooklyn. The start of the fair was highly promising, and the public and press alike were excited about it. “Frieze Art Fair electrifies New York” was how the Wall Street Journal summed it up. But the art fair in the British capital is also expanding. Frieze Masters now takes place parallel to Frieze London, which focuses on current works by living artists. Deutsche Bank, the main sponsor, also cooperates with the two new Frieze fairs.

Over 90 international galleries show art from antiquity to the 20th century at Frieze Masters — in a temporary architecture designed by Annabelle Selldorf. The architect is considered to be a specialist for rooms in which art is presented and produced. Selldorf has not only designed the galleries of Barbara Gladstone and David Zwirner, but also the studios of Jeff Koons and David Salle. For Frieze Masters, she has created a design that is both elegant and contemporary. The new fair can be reached comfortably by foot from Frieze London, as it also takes place in Regents Park. Thus, visitors can inform themselves about current trends and also rediscover older art and classics of the 20th century from a contemporary perspective.

The expectations for the new fair are high. “Frieze Masters will attract the world’s most adventurous and imaginative art collectors to London,” says Nicholas Penny, Director of the London National Gallery. “The fair is designed to revolutionise the relationship between ancient and modern, old and new.” The Spotlight section is bound to be particularly exciting. Here, 22 galleries from the US and Germany as well as from Lebanon, Portugal, and Romania will each present a selected position from the 20th century. The focus is on conceptual and feminist positions from the 1960s and 1970s. These are the “pioneers working at one of the most radical periods of art history,” according to Adriano Pedrosa. The curator of the 2011 Istanbul Biennial acts as consultant to the fair in its selection of galleries for the Spotlight section.

Part of Frieze Masters’ contemporary approach are the talks that take place in the framework of the fair: for instance Cecily Brown, who processes influences by painters such as William Hogarth and Willem de Kooning in her gestural, expressive canvases, talks to Nicholas Penny about her reinterpretations of traditional art historical themes. While Glenn Brown discusses his versions of paintings by artists as varied as Georg Baselitz and Fragonard with Bice Curiger, Luc Tuymans explains how he turns historical events into painting in a conversation with Louvre curator Dominique de Font-Réaulx.

The tenth run of Frieze London is the most international to date: 170 exhibitors from 34 countries present themselves in fair tents designed, as last year, by the architectural firm Carmody Groarke. The new Focus section is reserved for younger galleries who opened after 2000. Some of those selected are Algus Greenspon (New York), Casas Riegner (Bogota), Chatterjee & Lal (Mumbai), and Chert (Berlin). The Frame section also dedicates itself to young galleries, showing exclusively solo presentations. The fact that 16 of the 21 galleries are taking part in the London fair for the first time promises fascinating discoveries. At the François Ghebaly Gallery (Los Angeles), visitors can experience the legendary underground filmmaker Mike Kuchar as draftsman. Experimenter (Calkutta) introduces the artist Bani Abidi, who was born in Pakistan and lives in India. In her humorous works, she trenchantly addresses the political and cultural differences and similarities between the two neighboring enemy states.

To prevent visitors from losing orientation despite the immense amount of art on view, Frieze implements innovative technology: visitors can download a free app for their iPhones and iPads, including an interactive plan of the fair—a service once again made possible by Deutsche Bank. As main sponsor, it presents itself at the fair with its lounge, where works from the Deutsche Bank Collection are juxtaposed under the title Pairs. At the premiere of Frieze Masters, works of Classic Modernism meet with contemporary works: Piet Mondrian, Vassily Kandinsky, David Bomberg, and Andreas Feininger encounter Daniel Richter, Ugo Rondinone, Adrian Paci, and Frank Auerbach. Between the pairs, correspondences in form and content arise that span decades. In addition, preliminary drawings to Keith Tyson’s 12 Harmonics are on view in the lounge. The monumental painting series was installed at the end of last year in the entrance hall of Deutsche Bank’s London Head Office. One of the drawings was auctioned off to benefit Help a Capital Child and the Meningitis Research Foundation.

Anyone interested in visiting ArtMag, which is celebrating its 10th anniversary this October, should come to the press booths at Frieze London, where visitors can surf through the latest issue at stand M 20 and even win a trip to the next Frieze New York. Every subscriber to the ArtMag newsletter has a chance to win two plane tickets to New York including two nights at a hotel and two VIP tickets to the fair.  

From the very beginning, the advanced accompanying program of films, talks, and commissioned works has played an important role in forging Frieze’s image. For this year’s Frieze Projects, curated by Sarah McCrory, Thomas Bayrle, Aslı Çavuşoğlu, DIS magazine, Grizedale Arts / Yangjiang Group and Joanna Rajkowska created site-specific interventions. While real actors from a TV crime series take part in Çavuşoğlu’s performance Murder in Three Acts, Bayrle accentuates the fair entrance with print works consisting of his typical motifs reproduced by the hundreds. The pioneer of European Pop Art has long been part of the Deutsche Bank Collection; his contribution to this year’s documenta was one of the highlights of the show.

Frieze London expects prominent guests for the talks, too: Tino Sehgal discusses conceptual art, choreography, and the work of art as object with Jörg Heiser, while John Waters converses with Sturtevant about the theme “stupidity.” Waters began his career making infamous trash films like Pink Flamingos and Female Trouble; he now exhibits as an artist in the New Museum and at Gagosian. With her imitations of the icons of contemporary art, Sturtevant questions everything we think we know about the original and originality, aura and authorship. To arrange for an artist who says that she’s interested in nothing but making people think to get together with John Waters to talk about, of all things, stupidity guarantees an event that will be both funny and inspiring. Really, only the makers of Frieze would come up with an idea like that.
Achim Drucks

Frieze London/Frieze Masters
Regents Park, London
October 11 – 14, 2012

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On View
This Undreamt Descent - Wangechi Mutu in the Kunsthalle Baden-Baden / Asterisms - Gabriel Orozco’s Commission for the Deutsche Guggenheim / The Sight of Sound - Art and Music at 60 Wall Gallery
Portikus turns into a Camera Obscura - Deutsche Bank Stiftung Supports Extraordinary Exhibition Project / Deutsche Bank Foundation Sponsors MMK Talks / Cai Guo-Qiang Honored with the Praemium Imperiale / Yto Barrada at MACRO / GO - Encounter with Brooklyn´s creative art scene / Baselitz - Immendorff - Schönebeck at Villa Wessel / Fantastic Twins - Deutsche Bank sponsors Os Gêmeos show at the ICA in Boston / William Kentridge at the Jewish Historical Museum Amsterdam / Villa Romana Prizewinners 2013 - Four artists receive fellowships in the renowned artists’ house / Create Festival Celebrates the Creative Scene in East London
The press on Roman Ondák´s project for the Deutsche Guggenheim / The Press on the Premiere of Frieze New York
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