news
This category contains the following articles
- Ways of Seeing Abstraction: Yto Barrada, Autocar - Tangier, 2004
- Schirn Kunsthalle Frankfurt - Gilbert & George: The Great Exhibition
- Sammlung Goetz at Haus der Kunst - Cyrill Lachauer. I am not sea, I am not land
- Kunsthalle Zürich - Pati Hill: Something other than either
- Ways of Seeing Abstraction: Karla Knight, Spaceship Note (The Fantastic Universe), 2020
- ICA Boston - "i´m yours: Encounters with Art in Our Times"
- Ways of Seeing Abstraction: Lada Nakonechna, Merge Visible. Composition No. 45, 2016
- Tel Aviv Museum of Art - "Desktop: Artists During COVID-19"
- Fondazione Prada - "Finite Rants"
- Ways of Seeing Abstraction: Tobias Rehberger, Ohne Titel, 2000
- Musée d'Art Moderne Grand-Duc Jean - "Me, Family"
- Dallas Museum of Art - "Arthur Jafa: Love is the Message, The Message is Death"
- Ways of Seeing Abstraction: Phillip Zaiser, Testbild, 2000
- Deutsche Bank Collection Live - Meet the Artist
- New Museum - "Grief and Grievance: Art and Mourning in America"
- Feminist View of Pakistan: Umber Majeed is a Fellow of the New York Foundation for the Arts
- Painter. Rebel. Teacher. - K.H. Hödicke at the PalaisPopulaire
- Space Experiments: Seven artists versus architecture at the Hamburger Kunsthalle
Fondazione Prada – “Finite Rants”
Milan’s Fondazione Prada, one of Deutsche Bank’s ArtCard
partner museums, is using the temporary closure of museums and cultural
institutions in Italy as an occasion for an intellectual online experiment. The title Finite Rants
means “limited ranting.” The project, curated by Luigi Alberto Cippini
and Niccolò Gravina, brings together eight visual essays by artists,
filmmakers, and intellectuals commissioned by the Fondazione Prada.
Among them are the German filmmaker and author Alexander Kluge, the Japanese photographer Satoshi Fujiwara, the American director and actor Brady Corbet, and the French directors Caroline Poggi and Jonathan Vinel, who are regarded as innovators of young French film.
The inspiration for the project came from Chris Marker’s legendary science fiction short film La Jetée (1962). This dystopian essay on time travel and World War III, whose sequences were assembled exclusively from photographs, redefined experimental film. Final Rants follows this essayistic tradition, dealing with topics such as terrorism, censorship, and non-human life forms. The show is certainly not conducive to switching off and relaxing, but to waking up.
Finite Rants
Online project
Fondazione Prada, Milan
fondazioneprada.org/project/finiterants
The inspiration for the project came from Chris Marker’s legendary science fiction short film La Jetée (1962). This dystopian essay on time travel and World War III, whose sequences were assembled exclusively from photographs, redefined experimental film. Final Rants follows this essayistic tradition, dealing with topics such as terrorism, censorship, and non-human life forms. The show is certainly not conducive to switching off and relaxing, but to waking up.
Finite Rants
Online project
Fondazione Prada, Milan
fondazioneprada.org/project/finiterants