news
This category contains the following articles
- Ways of Seeing Abstraction: Fabian Marti, Untitled, 2011
- Back in Town - Frieze New York Launched in New Format
- Tate Britain - Lynette Yiadom-Boakye: Fly In League With The Night
- Ways of Seeing Abstraction: Jo�o Maria Gusm�o + Pedro Paiva
- Museum f�r Fotografie - America 1970s/80s: Hofer, Metzner, Meyerowitz, Newton
- Ways of Seeing Abstraction: Beat Zoderer, Polygon I-VI, 2019
- Ways of Seeing Abstraction: Yto Barrada, Autocar - Tangier, 2004
- Schirn Kunsthalle Frankfurt - Gilbert & George: The Great Exhibition
- Sammlung Goetz at Haus der Kunst - Cyrill Lachauer. I am not sea, I am not land
- Kunsthalle Z�rich - Pati Hill: Something other than either
- Ways of Seeing Abstraction: Karla Knight, Spaceship Note (The Fantastic Universe), 2020
- ICA Boston - "i�m yours: Encounters with Art in Our Times"
- Ways of Seeing Abstraction: Lada Nakonechna, Merge Visible. Composition No. 45, 2016
- Tel Aviv Museum of Art - "Desktop: Artists During COVID-19"
- Ways of Seeing Abstraction: Tobias Rehberger, Ohne Titel, 2000
- Deutsche Bank Collection Live - Meet the Artist
- New Museum - "Grief and Grievance: Art and Mourning in America"
- Painter. Rebel. Teacher. - K.H. H�dicke at the PalaisPopulaire
Fondazione Prada – “Finite Rants”
Milan’s Fondazione Prada, one of Deutsche Bank’s ArtCard
partner museums, is using the temporary closure of museums and cultural
institutions in Italy as an occasion for an intellectual online experiment. The title Finite Rants
means “limited ranting.” The project, curated by Luigi Alberto Cippini
and Niccol� Gravina, brings together eight visual essays by artists,
filmmakers, and intellectuals commissioned by the Fondazione Prada.
Among them are the German filmmaker and author Alexander Kluge, the Japanese photographer Satoshi Fujiwara, the American director and actor Brady Corbet, and the French directors Caroline Poggi and Jonathan Vinel, who are regarded as innovators of young French film.
The inspiration for the project came from Chris Marker’s legendary science fiction short film La Jet�e (1962). This dystopian essay on time travel and World War III, whose sequences were assembled exclusively from photographs, redefined experimental film. Final Rants follows this essayistic tradition, dealing with topics such as terrorism, censorship, and non-human life forms. The show is certainly not conducive to switching off and relaxing, but to waking up.
Finite Rants
Online project
Fondazione Prada, Milan
fondazioneprada.org/project/finiterants
The inspiration for the project came from Chris Marker’s legendary science fiction short film La Jet�e (1962). This dystopian essay on time travel and World War III, whose sequences were assembled exclusively from photographs, redefined experimental film. Final Rants follows this essayistic tradition, dealing with topics such as terrorism, censorship, and non-human life forms. The show is certainly not conducive to switching off and relaxing, but to waking up.
Finite Rants
Online project
Fondazione Prada, Milan
fondazioneprada.org/project/finiterants