ArtMag by Deutsche Bank Deutsche Bank Group  |  Responsibility  |  Art Programme  |  Deutsche Bank KunstHalle  |  Deutsch  
Home Feature On View News Press Archive Service
This category contains the following articles
No Boredom - John Baldessari awarded the Kaiserring
Deutsche Bank supports Emil Schumacher exhibition
Deutsche Bank Foundation Sponsors MMK Talks
Yto Barrada at MACRO
Cai Guo-Qiang Honored with the Praemium Imperiale
Baselitz - Immendorff - Schönebeck at Villa Wessel

Print

Send a friend
No Boredom
John Baldessari awarded the Kaiserring



“I will not make any more boring art.” Over and over again, John Baldessari wrote this promise on paper in a video he made in 1971. And he’s remained true to his pledge: to this day, the American artist has been creating a body of work that investigates the nature of imagery in a variety of new ways. Now, the 81-year-old artist has been awarded the Kaiserring for being one of the most influential artists of our time.

In 1975, the seal ring with the aquamarine, engraved with a portrait of Emperor Henry IV, was awarded for the first time, to the British sculptor Henry Moore. Since that time, the Kaiserring has become one of the most renowned awards for contemporary art worldwide. Numerous artists represented in the Deutsche Bank Collection have also received the honor — for instance Joseph Beuys, Max Bill, Cindy Sherman, William Kentridge, and Rosemarie Trockel, who was awarded the Kaiserring last year.

In his photographic works, books, performances, and videos, Baldessari investigates everyday clichés and the mass media. He combines image and text to create new contexts of meaning. He often uses found material, such as stills from old movies, or magazine photos that he then alters by painting over them. Included in this group are the commissioned works for the Deutsche Guggenheim, which he completed in 2004. The title of the thirteen-part series, Somewhere Between Almost Right and Not Quite (with Orange), could almost be considered a motto for his life work: since the beginning of his career, Baldessari has always existed “somewhere in between”: between Pop and Conceptual Art, between painting, photography, prints and drawings, and film. The fact that humor plays an important role in his artistic universe can already be seen in a video from 1972, in which Baldessari sings Sol Lewitt’s theses on conceptual art to the tunes of popular melodies. A current example is the short film A Brief History of John Baldessari. In the roughly six-minute film, he sums up the artist’s work in a casual, yet laconic manner — and proves that you can still be pretty young, even if you’re 81.




Newsletter
Stay up-to-date on contemporary art-with ArtMag. Register here for our newsletter.
 

Alternative content

Get Adobe Flash player

Feature
Free Radicals - Elad Lassry´s Hermetic Photographic Works / It's interesting to be unsure - A conversation with Lorna Simpson / The Human Dimension - Thomas Scheibitz at the MMK / Visual Encyclopedia of the People's Republic - Liu Zheng's monumental photo atlas The Chinese / On Disappearance and Illumination - Michael Stevenson in the Portikus, Frankfurt / 10 Years - ArtMag Celebrates its Anniversary! / Dynamic Duo - Preview Frieze London and Frieze Masters / Fabian Marti: Trip to the Other Side / Wallpaper and Transcendence: Shannon Bool - Excursions into Modernism
On View
Asterisms - Gabriel Orozco’s Commission for the Deutsche Guggenheim / This Undreamt Descent - Wangechi Mutu in the Kunsthalle Baden-Baden
Press
The Press on Frieze Masters and Frieze London / Gabriel Orozco´s commissioned work for the Deutsche Guggenheim
Imprint  |  Legal Resources  |  Accessibility
Copyright © 2014 Deutsche Bank AG, Frankfurt am Main


+  ++  +++